跳到主要內容區塊

《樂見台灣- 作曲大師之夜》 簡文彬與KSO音樂會

  • 開始日期:2017-10-14 00:00~2017-10-14 00:00

地點:香港大學百周年校園李兆基會議中心大會堂

地圖:map



(This event is co-presented with Cultural Management Office, HKU. Please scroll down for English)







特別講座



樂語融融:簡文彬與李歐梵談《西方音樂、東方情懷》



13/10/2017(五) 19:30



香港大學本部大樓218室畢業生議會廳



公眾免費報名:線上報名連結



活動照片請點擊此處





《樂見台灣- 作曲大師之夜》 簡文彬與KSO音樂會



14/10/2017(六) 20:00



香港大學百周年校園李兆基會議中心大會堂



公眾免費報名:線上報名連結



活動照片請點擊此處







演出曲目:



郭芝苑:民歌與採茶舞



馬水龍:《孔雀東南飛》



李元貞:間奏曲《商》



錢南章:四首南島藝術歌曲





指揮:簡文彬



女高音:林惠珍



演奏:高雄市交響樂團





由指揮家簡文彬帶領高雄市交響樂團,演出四首臺灣在地的原創歌曲。國寶作曲家郭芝苑創作領域橫跨通俗與嚴肅音樂,擅在古典音樂架構中,植入臺灣本土音樂素材,《民歌與採茶舞》取材自臺灣歌謠,充分流露郭芝苑對本土文化深刻的關懷。《孔雀東南飛》為馬水龍讀完原詩後,有感而作之曲,該作品曾獲中山文藝創作獎。錢南章根據南島曲調素材所作之《四首南島藝術歌曲》(原題《四首原住民藝術歌曲》),表現祭祀、祝福、歡慶,及對大自然的崇拜。李元貞作之間奏曲《商》,以創作關注臺灣當代議題,並以音樂作為反思。





樂團簡介:



1981年成立,2000年正名為「高雄市交響樂團」。2009年與高雄市國樂團整併為「財團法人高雄市愛樂文化藝術基金會」,時任高雄市文化局局長史哲先生出任首任董事長。2010年,由朱宏昌先生出任基金會執行長。2011年,由楊智欽先生出任駐團指揮。2016年,由高雄市文化局局長尹立接任董事長。



樂團活力旺盛,透過與國際級音樂家合作厚植演奏實力之【名家系列】,如:布赫賓德、列賓、明玆、麥斯基、堤剛等;亦規劃【跨界及專案】活動,每年參與高雄春天藝術節演出多場草地音樂會及全本歌劇製作;同時致力【校園及社區推廣】帶領學童與民眾走進音樂廳。成立以來,樂團屢受邀國內重要盛會演出,亦先後獲邀至美國、澳門、南京、上海、青島、蘇州、新加坡及北京演出。2017年,樂團受邀赴日本金澤參加貝多芬音樂節演出,深獲當地好評。





指揮簡介



簡文彬生於臺北市,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。1996年起任職於德國萊茵歌劇院(Deutsche Oper am Rhein);1998-2004年為日本太平洋音樂節(Pacific Music Festival)駐節指揮;2001-2007年為國家交響樂團(NSO)音樂總監,任職期間帶領樂團創新經營規模,並擴展樂團國際知名度;2014-2016擔任國立臺灣交響樂團藝術顧問,2015年1月起擔任國家表演藝術中心衛武營營運推動小組召集人暨準藝術總監。簡文彬於2009年5月首次與高雄市交響樂團合作演出,2016年6月於高雄春天藝術節指揮該團演出威爾第歌劇《茶花女》。2014年9月簡文彬獲頒第十八屆國家文藝獎。





女高音



林惠珍目前任教於國立台北藝術大學音樂學系專任教授;國立臺灣藝術專科學校音樂科畢業,羅馬S. Cecilia音樂院畢業。曾師事高橋雅子,申學庸,Alberta Valentini, Ballani Sergio, Giuseppe Morelli, Marlena Malas, Thomas Grubb等老師。也曾跟隨Marcella Govoni老師鑽研舞台表演藝術。曾獲V. Bellini國際聲樂大賽第四獎,以及G. B. Viotti國際聲樂大賽決賽權。1992年獲選舊金山歌劇院太平洋之聲臺灣唯一入選者,赴舊金山歌劇院接受舞台訓練、觀摩及演出。自1989年在紐約的Weill Recital Hall卡耐基音樂中心舉行獨唱會,開始演唱的生涯。1990年1月在台北市社教館專業演出以來共舉行了四十多次演唱會。



演出過歌劇包括:菩賽爾的『Dido & Aeneas』 ; 亨伯定克的『糖果屋(Hansel und Gretel)』; 梅諾第的『老處女與賊 (The old maid & the thief)』; 浦契尼的『杜蘭朵公主(Turandot as Liù)』、『蝴蝶夫人(Madam Butterfly as Cio-cio San)』 ; 古諾的『羅蜜歐與茱麗葉(Romèo Juliette as Juliette)』 ; 威爾第的『弄臣(Rigoletto as Gilda)』 『法斯塔夫(Falstaff as Alice)』; 莫札特的『魔笛(Die Zauberflöte as Königin der Nacht)』;沃爾夫.費拉里的『蘇珊娜的秘密(Il Segreto di Susanna as Susanna)』;雷昂卡發洛的『丑角(Pagliacci as Nedda)』和中國當代創作歌劇如錢南章的『雷雨之夜』、『畫魂』 ; 楊耀章和Frank Maus的『萬里長城』 ; 梁銘越的『九歌』以及馬水龍的『霸王虞姬』;郭芝苑的『許仙與白娘娘』; 蔡盛通的『逐鹿傳說』等。經常與國內外交響樂團合作演出音樂會,如巴赫的『聖母頌歌』、『咖啡清唱劇』;韓德爾的『彌賽亞』 ; 聖賞的『聖誕神劇』 ; 海頓的『創世紀』 ; 卡爾×奧夫的『布蘭詩歌』; 孟德爾遜的『仲夏夜之夢』; 貝多芬的『第九交響曲合唱』;浦浪克的『榮耀頌』;Heitor Villa-Lobos『Bachianas Brasilieas Nr. 5』;馬勒『第四號交響曲』;錢南章的『四首原住民藝術歌曲給女高音與管弦樂團(Four Aboriginal Lieder for soprano & orchestra)』等。





_______________



特別講座



樂語融融:簡文彬與李歐梵談《西方音樂、東方情懷》



13/10/2017(五) 19:30



香港大學本部大樓218室畢業生議會廳



公眾免費報名:線上報名連結





音樂是最容易跨越文化界線的藝術形式之一,東方人碰上西方音樂,如何在不屬於自己傳統的西方古典樂壇,走出自己的路?拓展新的音樂視野?台灣指揮家簡文彬為德國萊茵歌劇院終身駐院指揮,是歐洲歌劇院獲得終身駐院的首位亞洲指揮。他曾在日本太平洋音樂節駐節指揮,也曾是台灣國家交響樂團音樂總監。今年十月,他將與高雄市交響樂團為香港觀眾帶來多首台灣作曲大師的作品。音樂會前,讓我們來聽聽他與人文學者李歐梵的對談,詮釋東方文化和西方音樂的完美結合,以及對文化交流的獨到見解。



(講座以國語進行)







Special Seminar



Music in Words: Double Exposure



Convocation Room, Room 218, Main Building



The University of Hong Kong



Speakers: Wen-Pin Chien and Professor Leo Ou-Fan Lee



Free Admission: Registration Link



(Seminar in Mandarin)



For Asian classical musicians, the question of 'cultural identity' is often blurry. How do they discover their unique identity footprints in an art with a foreign cultural context? How do they explore and create new musical horizons by borrowing from their own cultural heritage?





Kappelmeister of Deutsche Oper am Rhein since 1996, Wen-pin Chien is the first Asian resident conductor in European opera houses. Chien strives to revolutionise conventional orchestral programmes, and is keen to introduce original compositions by Taiwanese composers onto the international stage. On the day before his concert with the Kaohsiung Symphony Orchestra, Wen-pin Chien will engage in a dialogue with renowned scholar Prof. Leo Lee on the oriental muse in Western music.





Taiwan Acoustic: A Night of Master Composers



Wen-Pin Chien & Kaohsiung Symphony Orchestra



Grand Hall, Lee Shau Kee Lecture Centre, Centennial Campus, HKU



14.10 Sat 20:00



Free Admission: Registration Link





In the middle of the twentieth century, Taiwanese composers began to preserve local musical cultures, especially of their aboriginal tribes, by infusing elements from their own heritage with the Western musical architecture. Under the baton of Wen-pin Chien, the Kaohsiung Symphony Orchestra will bring us an evening of four important Taiwanese contemporary works by Chih-yuan Kuo, Shui-long Ma, Yuan-chen Li, and Nan-chang Chien.





Programme



Chih-Yuan Kuo: Folk Song and Pick Tea Dance



Shui-Long Ma: The Peacock Flies Southeast



Yuan-Chen Li: Intermezzo: SHANG



Nan-Chang Chien: Four South Island Art Songs (Original Title: Four Aboriginal Lieder for soprano & orchestra)





Conductor: Wen-Pin Chien



Soprano: Mewas Lin





Kaohsiung Symphony Orchestra



Founded in 1981; renamed as the "Kaohsiung City Symphony Orchestra” (KCSO) in 2000. And in 2009, the Kaohsiung Symphony Orchestra and the Kaohsiung Chinese Orchestra were merged into one organization, namely the ‘Kaohsiung City Philharmonic Culture and Arts Foundation' when the current Kaohsiung City Deputy Mayor, Che Shih, was appointed as the first president of the foundation. In 2010, Hung-Chang Chu was appointed to become the Chief Executive. In 2011, Chih-Chin Yang was appointed as the new conductor for the orchestra which was finally renamed as "Kaohsiung Symphony Orchestra” (KSO). In November 2016, the current Director of Cultural Affairs Bureau Kaohsiung, Aaron Yin, was appointed as the new president of the foundation.





Via different music series, KSO has developed great popularity by diversified programming and performing styles. In Classic Virtuosos concerts, KSO has collaborated with many renowned local as well as overseas artists to be in line with international practice, such as Rudolf Buchbinder, Vadim Repin, Shlomo Mintz, Mischa Maisky and Tsuyoshi Tsutsumi, etc. With Crossover Events KSO expands its collaboration with different genre using the usual orchestral repertoire, such as the open-air concert which was as part of the Kaohsiung Spring Art Festival, and the full opera productions. KSO also regularly has "Education promotion” planning to introducing classical music as a new concert-going experience for students and communities.





Conductor



Wen-Pin Chien, Conductor of the Deutsche Oper am Rhein (1996-) and Artistic Director designee of the National Kaohsiung Center for the Arts (2015-), was born in Taipei, graduated from the National Taiwan Academy of Arts and awarded with Master degree at the National University for Music and Performing Arts Vienna. 1998-2004 Chien was Resident Conductor of the Pacific Music Festival (Sapporo, Japan), 2001-2007 he was Music Director of National Symphony Orchestra (Taiwan), during his tenure the orchestra has achieved several milestones such as creating Subscription series, commissioning Taiwanese composers, introducing an opera series which coroneted with the first production of the complete "Ring des Nibelungen” by Richard Wagner in Chinese speaking areas, upon orchestra's 20th anniversary in 2006. 2014-2016 Chien was Artistic Advisor of the National Taiwan Symphony Orchestra. Chien was winner of the "National Award for Arts” in 2014.





Soprano



Mewas Lin, currently teaches in the Music Department at the Taipei National University of the Arts, was born at Li-Mountain, Taiwan. She is a descendent of Atayal tribe. She was graduated from the Music Department of the National Taiwan Academy of Arts and Conservatorio di Santa Cecilia, Rome in Italy. She performed in many operas such as "The old maid and the thief” as Leatitia, "Dido and Aeneas” as Belinda, "Roméo et Juliette” as Juliette, "Rigoletto” as Gilda, "Die Zauberflöte” as Königin der Nacht, "Turandot” as Liù, "Madama Butterfly” as Cio-cio San,"Falstaff”as Alice, "Il Segreto di Susanna” as Susanna, "Pagliacci” as Nedda, and also performed a variety of Chinese operas. In 1989, Mewas gave a solo recital at Weill Recital Hall in New York. Ever since then, she started her solo recital career and performed more than 40 recitals since she made her professional debut in Taiwan in 1990 at the Taipei community Hall.