光華新聞文化中心

地點:香港文化中心音樂廳

地圖:

呂紹嘉x嚴俊傑x焦元溥

NSO臺灣愛樂交響樂團《浪漫 奔騰》­— 2015香港音樂會

Romanticism Undefiled by Taiwan Philharmonic Symphony Orchestra

01.11 (Sun)

15:05　香港文化中心音樂廳

票價：680 480 380 280

光華之友 誠品之友可有優惠

現可透過城市售票網購票

精采照片連結

【講座音樂會】Lecture Concerts

焦元溥 x臺灣愛樂NSO

《樂讀村上春樹》

What is Composition? The Musical Murakami Haruki

31.10 (Sat)

19:30 香港大學李兆基會議中心大會堂

本場門票於光華新聞文化中心開放網路報名中，採不劃位入場

臺灣精緻文化裡最奔騰浪漫的聲音

自信而精銳

臺灣愛樂NSO

與世界其他優秀樂團相較，

NSO無論在演奏技術，音樂表現及曲目深廣度上，已能成一家之言。

下個階段我與樂團要追求的目標，

就是將西方交響樂更融化成我們的語言，

自信而自然的發出屬於我們的聲音。

NSO是臺灣的驕傲，值得大家給它更多的關愛與擁抱。

臺灣愛樂音樂總監 呂紹嘉。

NSO成立於1986年 臺灣為建立一個指標級交響樂團而投下的希望

目前已成為頂尖的亞洲樂團

2005年起成為駐兩廳院國家音樂廳團隊

2014年4月起改隸國家表演藝術中心

樂團歷任音樂總監/藝術顧問包括許常惠、張大勝、林望傑、簡文彬以及赫比希，自2010年8月起，由呂紹嘉接任音樂總監。

近30年來與臺灣愛樂合作過的知名指揮家有馬捷爾、巴夏潘德瑞茨基、史瓦茲、羅斯楚波維奇、柯米希奧納、史拉特金等。臺灣愛樂除了每年近70場音樂會外，也製作年度大型歌劇，更以各種推廣講座音樂會、節慶或戶外音樂會，臺灣愛樂讓古典音樂成為愛樂大眾樂於參與的活動，形成華人地區古典音樂的新風貌。

01.11 演 出 者：

指揮／呂紹嘉 SHAO-CHIA LÜ, conductor

鋼琴／嚴俊傑 CHUNCHIEH YEN, piano

臺灣愛樂交響樂團 Taiwan Philharmonic Symphony Orchestra

演出曲目：

顏名秀：《翔。天際》

孟德爾頌：第一號鋼琴協奏曲, G小調, 作品25

布拉姆斯:：第二號交響曲, D 大調, 作品 73

「呂紹嘉是表達音樂意境之大師，也是一位才華卓絕的指揮。」

－《南德意志報》

「（呂紹嘉）帶領著樂團在（柏林）愛樂廳呈現了近乎完美的演出。」─ 德國《每日鏡報》

呂紹嘉

Shao-Chia Lü

出身臺灣，為享譽國際樂壇的旅歐名指揮家。自鋼琴啟蒙，後隨陳秋盛研習指揮，繼而赴美印第安那大學及維也納國立音樂院深造。在贏得法國貝桑頌、義大利佩卓地和荷蘭孔德拉辛三大國際指揮大賽首獎後，展開了他在歐洲的指揮生涯。

旅居德國期間先後擔任柏林喜歌劇院首席駐團指揮（1995-1998）、德國柯布倫茲市立歌劇院音樂總監（1998-2001）、德國國家萊茵愛樂交響樂團音樂總監（1998-2004）、德國漢諾威國家歌劇院音樂總監（2001-2006），並於2004年5月獲文化部長頒贈象徵該省文化最高榮譽的Peter Cornelius獎章。

在歌劇的領域中，曾於英國國家歌劇院、布魯塞爾皇家歌劇院、雪梨歌劇院、德國司徒加特、柏林德意志、漢堡、法蘭克福歌劇院客席登臺指揮。歌劇之外，呂紹嘉在交響樂指揮的表現也同樣耀眼。近年來合作的主要交響樂團有：柏林、西南德、中德、巴伐利亞廣播、法國國家、里昂、杜魯士、史特拉斯堡、維也納廣播、英國利物浦愛樂、奧斯陸愛樂、貝爾根愛樂、赫爾辛基愛樂、瑞典廣播、挪威廣播、哥特堡、羅馬聖西西里亞、及荷蘭皇家音樂大會堂管絃樂團等。在亞洲，與香港管弦樂團、NHK、新日本愛樂及北京、上海等地的代表性樂團合作演出。

自2010年8月起接任NSO國家交響樂團音樂總監。

Shao-Chia Lü/ Conductor

"(Shao-Chia Lü) bietet der Klangkörper in der Philharmonie ein Bild erstrebter Makellosigkeit."

─Der Tagesspiegel

Lü's approach to Wagner seemed to take its cue from his strong affiliation with Iatlian opera, which resulted in an intensely lyrical interpretation that flowed with ease.

American Record Guide

Lyricism is at the heart of Lü's style, and he brought this quality to Die Walkure as well. The result was a fluid, flowing approach, not a ponderous or weighty one.

der neue Merker

"Under Lü, (NSO) made the fin-de-siecle sound world idiomatic. He coaxed from them a burnished, glowing sound that showed off Strauss' (Elektra's) luscious orchestration.” — OPERA

Taiwan-born conductor Shao-Chia Lü studied music in Taipei, later at the Indiana University in Bloomington, USA, and also at the College of Music Vienna. His training was topped off with three important first prizes at renowned international conductor competitions: Besancon, Trento and Amsterdam.

In 1995, he began his opera career as Erster Kapellmeister at the Komische Oper Berlin. Numerous guest performances followed, including the Australian Opera Sydney and the English National Opera, the Theatre de la Monnaie in Brussels, the opera houses of Frankfurt, Hamburg and Stuttgart as well as the Deutsche Oper Berlin. In 1998, Shao-Chia Lü took over the position of General Music Director of both the Staatsorchester Rheinische Philharmonie Koblenz and the Koblenz Theatre.

Shao-Chia Lü, as General Music Director of the Staatsoper Hannover between 2001 and 2006, has established himself firmly as an excellent opera conductor through numerous outstanding performances during this period of such repertoire as: Aida, Ernani, Le nozze di Figaro, Jenufa, Vec Makropulos, Fidelio, Turandot, Madama Butterfly, Tosca, Tristan und Isolde, Der fliegende Holländer, Wozzeck, Der Rosenkavalier, Elektra and Salome.... In the summer 2004, Shao-Chia Lü and the Staatsoper Hannover earned international acknowledgement by performing Pelléas et Mélisande at the renowned Vienna and Edinburgh Festivals.

Shao-Chia Lü's recent opera engagements include: Parsifal , Katja Kabanowa and Tosca in Goteborg, Sweden, La fanciulla del West in Stuttgart, Eugene Onegin at the Komische Oper Berlin, Madama Butterfly, Tosca and La Bohème in Sydney and Melbourne.

Alongside his opera activities, Shao-Chia Lü is equally at home on concert podiums. In 1994, he had his debut with the Münchner Philharmoniker by replacing Sergiu Celibidache at the last moment for two unchanged programms (including Bruckner's Symphony No. 8). The triumph of these concerts brought him several further invitations from this orchestra. Apart from the Münchner Philharmoniker, Lü has worked repeatedly with many leading European orchestras, such as the Oslo Philharmonic, the Orchestra Sinfonica di Santa Cecilia in Rome, the Norwegian and Swedish Radio Orchestra, the Helsinki Philharmonic Orchestra, the Royal Liverpool Philharmonic, the Bournemouth Symphony Orchestra, the Goteborg Symphonics, the Orchestre National de France, the SWR Stuttgart, the Rundfunksinfonieorchster Berlin, the Staatskapelle Weimar and the Frankfurter Museumsorchester. In November 2011, Shao-Chia Lü made his much acclaimed debut with the Royal Concertgebouw Orchestra in Amsterdam. In Asia, after his debut with New Japan Philharmonic in December 2012, Shao-Chia Lü was invited to conduct the Tokyo Metropolitan Symphony Orchestra and the NHK Symphony Orchestra, among others, during the 2013/2014 season.

Shao-Chia Lü has been Music Director of the Taiwan Philharmonic (the National Symphony Orchestra of Taiwan) since August 2010.

CHUN-CHIEH YEN, piano

Chun-Chieh Yen has concertized in Europe, Asia, and America, embracing a wide range of repertoire. Concerto performances take Yen to orchestras all over the world including the Russian National Orchestra, Staatsorchester Rheinische Philharmonie, and the National Symphony Orchestra of Taiwan. He has enjoyed collaborations with many conductors, including Mikhail Pletnev, Henry Mazer, Uri Mayer, Shao-Chia Lü, Gernot Schmalfuss and Günther Herbig. Yen won numerous prizes, including Third Prize at the International Youth Tchaikovsky Competition (1997), First Prize at the 4th Hamamatsu

International Academy Piano Competition in Japan (1999), and Third Prize at the 4th Prokofiev International Competition in St. Petersburg (2004). His album on Universal also earned him the award of Best Classical Performer at the 19th Golden Melody Awards in Taiwan. Currently Assistant Professor of Piano at the National Taiwan Normal University.

Taiwan Philharmonic (NSO)

Founded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra at home, is hailed as one of the best orchestras in the Asian Region and became the resident orchestra of the National Chiang Kai-Shek Cultural Center in 2005. Starting April 2014, the NSO has become an affiliate orchestra to the National Performing Arts Center. Led by renowned conductor Shao-Chia Lü as its 5^th music director starting August 2010, the NSO has increased the country's cultural richness and music educational strength throughout Taiwan.

The NSO with 99 members presents a 40-week musical season of approximately 75 concerts/chamber recitals and one opera production each year. It also launched educational programs and outreach projects constantly. Tour performances are regularly offered throughout Taiwan and overseas. It has toured to Vienna, Paris, Berlin, Geneva, Milan, Singapore, Kuala Lumpur, Sapporo, Tokyo, Yokohama, Hong Kong and major cities in China.

The NSO works with internationally acclaimed conductors, such as Lorin Maazel, Krzysztof Penderecki, Rudolf Barshai, Leonard Slatkin, Christopher Hogwood, Oleg Caetani, Gennady Rozhdestvensky, Michael Sanderling and soloists, including Midori, Vadim Repin, Hilary Hahn, Baiba Skride, Viviane Hagner, Yo-Yo Ma, Gautier Capuçon, Alban Gerhardt, Mischa Maisky, Sol Gabetta, Evelyn Glennie, Martin Grubinger, Louis Lortie, Kun-Woo Paik, Stephen Hough, Stephen Kovacevich, Katia & Marielle Labèque, Sabine Meyer, Reinhold Friedrich and many others.

The NSO has extended its artistic reach, involving in theater and opera productions, such as working with Lin Hwai-min, the world-renowned choreographer and founder of Taiwan's Cloud Gate Dance Theatre, Austrian digital artist Klaus Obermaier, and opera stage directors Tobias Richter, Moffatt Oxenbould, and Hans-Peter Lehmann. In addition to its record-breaking semi-stage concert operas Der Ring des Nibelungen, and Elektra, the NSO has collaborated with world-class opera houses for its multinational productions, such as Der Rosenkavalier (Deutsche Oper am Rhein, 2007), Carmen (Royal Opera House Covent Garden, Norwegian National Opera and Opera Australia, 2009), Madama Butterfly (Opera Australia, 2012) , Fidelio (Zurich Operahaus, 2015) as well as in-house production Die Walküre (2013), and Salome (2014).

Programme

MING-HSIU YEN: Flying Towards the Horizon

FELIX MENDELSSOHN: Piano Concerto No. 1, Op. 25, G minor

JOHANNES BRAHMS: Symphony No. 2